How to embed care in your practice?
Sepake Angiama and Jade Montserrat
Description
Sepake Angiama is a curator and educator interested in discursive practices, the social framework, and how we shape and form our experiences in understanding the world. She is inspired by working with artists who disrupt or provoke the social sphere through action, design, dance, and architecture. She is the initiator of Under the Mango Tree: Sites of Learning in cooperation with ifa (Institut für Auslandsbeziehungen), Stuttgart. Through notions of unlearning and indigenous knowledge, artist-led project spaces, libraries, and schools interested in unfolding discourses gather to discuss and build radical education practices that destabilize the European canon. Previously, Angiama was Head of Education for documenta 14, Kassel, 2017; Director of Education for Manifesta 10, Saint Petersburg, 2014; and Curator of Public Programmes at Turner Contemporary, Margate. She has created education programs for several institutions, including Tate Modern, London, and Hayward Gallery, London. Angiama lives and works in transition.
Jade Montserrat is a research-led artist and writer based in Scarborough, North Yorkshire. She makes visual and live artworks that explore race and the vulnerabilities of bodies, the tactile and sensory qualities of language and challenge the structures of care in institutions Jade Montserrat uses drawing as a means to reflect on personal and historical events, as well as to define and occupy space. She considers her work to be a combination of art and activism: informed by her own mixed-race heritage, her art aims to challenge society’s embedded racism and inequalities related to gender, age, ability, religion and other characteristics. Montserrat is especially attuned to what happens when situations intersect to cause more complex forms of discrimination, and she weaves academic research into her visual art to reframe questions around the representation of Black bodies and women’s bodies in terms of care, protection and preservation.